<p>Home Minister</p>.<p>Kannada (Theatres) </p>.<p>Director: Sujay K Shishir</p>.<p>Cast: Upendra, Vedhika, Sadhu Kokila, Suman</p>.<p>Rating: 1.5/5</p>.<p>Real Star’ Upendra-starrer ‘Home Minister’ is about a professional who sacrifices his job to ensure that his wife realises her dream and his daughter can have a better childhood. It conveys the message that a husband must support his wife’s ambitions. </p>.<p>Sujay K Srihari’s flick completely defies logic. The pre-interval point raises some hope of a sensible plot but that’s not to be as the second half is an uninteresting blend of a television reality show and description of a new commercial product by a sales executive.</p>.<p>This is a brain-numbing film as the screenplay lacks coherence. A relentlessly ear-splitting background score adds salt to the injury. </p>.<p>Sadhu Kokila’s character, which mouths unending double entendres, is embarrassing and over stretched. Though the film is two hours it makes for an exhaustive watch thanks to the under-developed characters. The pathetically choreographed action sequences make stunt scenes of the 90s look better. </p>.<p>Upendra excels in some scenes. Those valuing their money and time must skip the film.</p>
<p>Home Minister</p>.<p>Kannada (Theatres) </p>.<p>Director: Sujay K Shishir</p>.<p>Cast: Upendra, Vedhika, Sadhu Kokila, Suman</p>.<p>Rating: 1.5/5</p>.<p>Real Star’ Upendra-starrer ‘Home Minister’ is about a professional who sacrifices his job to ensure that his wife realises her dream and his daughter can have a better childhood. It conveys the message that a husband must support his wife’s ambitions. </p>.<p>Sujay K Srihari’s flick completely defies logic. The pre-interval point raises some hope of a sensible plot but that’s not to be as the second half is an uninteresting blend of a television reality show and description of a new commercial product by a sales executive.</p>.<p>This is a brain-numbing film as the screenplay lacks coherence. A relentlessly ear-splitting background score adds salt to the injury. </p>.<p>Sadhu Kokila’s character, which mouths unending double entendres, is embarrassing and over stretched. Though the film is two hours it makes for an exhaustive watch thanks to the under-developed characters. The pathetically choreographed action sequences make stunt scenes of the 90s look better. </p>.<p>Upendra excels in some scenes. Those valuing their money and time must skip the film.</p>