<p>Rahul Dev Burman was arguably one of the most gifted and sought-after music composers in Bollywood during the 1970s. The perception is that his compositions often added a new life to films, helping them attain a cult status. On Sunday, as fans remember the maestro on his birth anniversary, here is a look at his professional journey.</p>.<p><strong>The intial years</strong></p>.<p>RDB, who was son of ace music director Sachin Dev Burman, composed his first song<em> Ae Meri Topi</em> at the age of nine and followed in his father's footsteps.It was later used in the 1956 release <em>Funtoosh</em>. He subsequently composed music for films such as <em>Chotte Nawab</em>, <em>Bhoot Bangla</em> and <em>Teesra Kaun,</em> carving a niche for himself in the industry.</p>.<p><strong>A breakthrough</strong></p>.<p>It was, however, his work in <em>Teesi Manzil</em> (1966) that established him as a force to be reckoned with. The <em>O Mere Sona Re</em> track, sung by Mohammed Rafi, became immensely popular. He subsequently garnered acclaim with cult films such as <em>Deewar</em>, <em>Amar Prem</em>, <em>Ghar</em>, <em>Shalimar</em>, <em>Sanam Teri Kasam</em>, <em>Aandhi</em>, <em>Saagar </em>and <em>Abdullah</em>, cementing his legacy. </p>.<p><strong>Mehbooba...</strong></p>.<p>He also composed the soundtrack of the evergreen classic <em>Sholay</em>. The Mehbooba number, sung by 'Pancham Da' himself, was one of the highlights of the biggie. His voice complemented the 'desi' setting, resulting in a magical experience for fans.</p>.<p><strong>A dull phase</strong></p>.<p>RDB suffered numerous setbacks in the 1980s as several films, which featured his compositions, failed to make an impact at the box office. He also faced competition from new composers. Around the same time, he received rave reviews with Rekha’s Ijaazat but the film did not garner much mainstream attention as it was a part of the parallel cinema movement.</p>.<p><strong>Posthumous triumph</strong></p>.<p>RDB signed his first Malayalam movie<em> Thenmavin Kombath</em> in a bid to revive his career. He, however, passed away in 1994 before he could begin work on the same. He had composed the soundtrack for Anil Kapoor’s 1942: A Love Story, which was released posthumously and emerged as a sensation. The <em>Ek Ladki Ko Dekha</em> number in particular, is regarded as a 'romantic anthem'.</p>.<p><strong>Rich legacy</strong></p>.<p>RDB remains a revered figure for young music directors even years after his death. Himesh Reshammiya’s <em>Balma </em>number from the Akshay Kumar-starrer <em>Khiladi 786</em> is considered to be a tribute to the legend. The <em>Aksar</em> composer had previously recreated the iconic <em>Mehbooba</em> number for <em>Aap Ka Suroor,</em> which marked his acting debut. The Indian government released a postal stamp bearing his likeness in 2013, celebrating his contribution to the film industry</p>
<p>Rahul Dev Burman was arguably one of the most gifted and sought-after music composers in Bollywood during the 1970s. The perception is that his compositions often added a new life to films, helping them attain a cult status. On Sunday, as fans remember the maestro on his birth anniversary, here is a look at his professional journey.</p>.<p><strong>The intial years</strong></p>.<p>RDB, who was son of ace music director Sachin Dev Burman, composed his first song<em> Ae Meri Topi</em> at the age of nine and followed in his father's footsteps.It was later used in the 1956 release <em>Funtoosh</em>. He subsequently composed music for films such as <em>Chotte Nawab</em>, <em>Bhoot Bangla</em> and <em>Teesra Kaun,</em> carving a niche for himself in the industry.</p>.<p><strong>A breakthrough</strong></p>.<p>It was, however, his work in <em>Teesi Manzil</em> (1966) that established him as a force to be reckoned with. The <em>O Mere Sona Re</em> track, sung by Mohammed Rafi, became immensely popular. He subsequently garnered acclaim with cult films such as <em>Deewar</em>, <em>Amar Prem</em>, <em>Ghar</em>, <em>Shalimar</em>, <em>Sanam Teri Kasam</em>, <em>Aandhi</em>, <em>Saagar </em>and <em>Abdullah</em>, cementing his legacy. </p>.<p><strong>Mehbooba...</strong></p>.<p>He also composed the soundtrack of the evergreen classic <em>Sholay</em>. The Mehbooba number, sung by 'Pancham Da' himself, was one of the highlights of the biggie. His voice complemented the 'desi' setting, resulting in a magical experience for fans.</p>.<p><strong>A dull phase</strong></p>.<p>RDB suffered numerous setbacks in the 1980s as several films, which featured his compositions, failed to make an impact at the box office. He also faced competition from new composers. Around the same time, he received rave reviews with Rekha’s Ijaazat but the film did not garner much mainstream attention as it was a part of the parallel cinema movement.</p>.<p><strong>Posthumous triumph</strong></p>.<p>RDB signed his first Malayalam movie<em> Thenmavin Kombath</em> in a bid to revive his career. He, however, passed away in 1994 before he could begin work on the same. He had composed the soundtrack for Anil Kapoor’s 1942: A Love Story, which was released posthumously and emerged as a sensation. The <em>Ek Ladki Ko Dekha</em> number in particular, is regarded as a 'romantic anthem'.</p>.<p><strong>Rich legacy</strong></p>.<p>RDB remains a revered figure for young music directors even years after his death. Himesh Reshammiya’s <em>Balma </em>number from the Akshay Kumar-starrer <em>Khiladi 786</em> is considered to be a tribute to the legend. The <em>Aksar</em> composer had previously recreated the iconic <em>Mehbooba</em> number for <em>Aap Ka Suroor,</em> which marked his acting debut. The Indian government released a postal stamp bearing his likeness in 2013, celebrating his contribution to the film industry</p>